Park Jin Young left Korea in 2003 with CD bags in hand. He became the first Korean producer to place original compositions on top-ranking Billboard albums.

In 2003, Park Jin Young walked away from a dominant position in the Korean music industry and boarded a flight to New York. His luggage: a few bags of CDs containing music he had produced himself.
He rented a small room in Manhattan and started what he later called "analog sales." Showing up uninvited at the studios of Outkast, Will Smith, and Mase. When he couldn't get past the front door, he waited in record label lobbies for hours, handing CDs to any executive who walked by. When someone gave him a moment, he played his beats on the spot—in cars, on the street—and danced to explain what the music was.
The grind paid off in 2004, when his work began appearing on rapper Mase's album. He placed I Wish I Made That on Will Smith's album Lost and Found and worked with Big Boi, the Outkast member. (Cold-calling one of the biggest rap groups in the world with a CD bag takes a specific kind of nerve.)
Park Jin Young became the first Korean producer to place original compositions on top-ranking Billboard chart albums. This happened years before the broader Hallyu wave's global footprint took shape.
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